10 Superhero Movies That Completely Skipped the Shark » Movie News, Movie Reviews, Movie Trailers, TV News.

Superhero movies dominate the current movie scene. Led by the seemingly unsinkable Marvel Cinematic Universe, the genre is thriving, releasing movie after movie starring a carousel of mighty heroes in tights.

Still, not every superhero movie hits the mark, even these days. Recent examples like Thor: Love and Thunder proved that these films are still susceptible to going overboard. Excess leads to chaos, leading these stories to jump the shark in the eyes of fans and critics alike. And while some of these films weather the storm, others fail and even derail their entire franchises.

Thor: Love and Thunder (2022)

Thor and Mighty Thor with the rest of the supporting cast on the art of Love and Thunder.

Taika Waititi has revitalized the Thor series with the colorful and over-the-top Thor: Ragnarok. However, his trick became tiresome with the following effort, Thor: Love and Thundera film that did not reach Ragnarokthe effortless laughs of.

All in love and thunder seems artificial and superficial. The jokes are generic, and the plot tries but fails to achieve emotional resonance. However, the climactic battle in which Thor empowers a group of children to fight his battle is the moment the movie truly loses itself in a mess of its own making.

The Dark Knight Rises (2012)

Bane, Batman and Selina in a poster for The Dark Knight Rises.

Christopher Nolan redefined what a superhero blockbuster could be, say and mean with his 2008 masterpiece, The dark Knight. However, the over-the-top and ultimately disappointing sequel, The Dark Knight Risesit was too much exercise, the cinematic equivalent of a victory lap before the end of the race.

Not everything is bad. many things about The Dark Knight Rises still hold on today. However, the film succumbs to the trilogy’s traditional tropes, delivering a larger film that sounds hollow compared to its layered and thought-provoking predecessor. Bane’s treatment of the film is disappointing, but his third-act battle and uninspired twist have him jumping the shark. Robin’s out-of-place revelation at the end cemented his dubious reputation.

Blade: Trinity (2004)

Abigail, Blade and Hannibal walking side by side in Blade: Trinity.

Choosing Wesley Snipes as Blade was an inspired choice. The actor delivered one of the most genuine and effortless performances in a genre where naturalism is hard to come by. Snipes is cool and confident as Blade, qualities that the first two films in the trilogy have in abundance.

things have changed with Blade: Trinity, a film that mistakenly believes bigger is always better. Not even Snipes can save this movie mess, full of boring narrative choices and annoying characters. The film’s action pales in comparison to its two predecessors, featuring scenes that seem straight out of Joel Schumacher’s stunt school.

X-Men: Apocalypse (2016)

The cast of X-Men Apocalypse in a poster for the film.

O X-Men movies have always struggled with consistency. Nonetheless, First class and Days of a future past were among the best superhero movies of their time, so expectations for X-Men: Apocalypse were tall. Unfortunately, the film indulges in all the excesses of the superhero genre, perhaps believing itself too big to fail.

Apocalypse features a relatively straightforward plot, but such a one-dimensional villain that it’s hard to care about any of his supposed end-of-the-world antics. However, the moment the film goes overboard is when Magneto destroys the Auschwitz concentration camp, a moment that must have looked daring on paper but is questionable in execution and uncomfortable to watch.

Batman and Robin (1997)

Batgirl, Batman and Robin with their hands on their hips in Batman & Robin.

Tim Burton approached his bat Man series with a gothic sensibility also informed by art deco trappings, resulting in two stylized and much-rewatched films. Warner Bros. opted for a lighter approach with sequels, signing Joel Schumacher. The director managed to make the movies more silly at the expense of the character’s reputation.

There is a certain quality of guilty pleasure in Batman Forever, and Val Kilmer is a surprisingly scary Bruce Wayne. Nonetheless, Batman and Robin it’s aggressively bad, featuring a ridiculous tone and plot that degrades the source material. Batman takes credit cards, skates and makes silly jokes during battle. In their misguided effort to make the series more kid-friendly, Schumacher and Warner nearly burned the franchise down.

Spider-Man 3 (2007)

Spider-Man on top of a taxi surrounded by webs in Spider-Man 3.

S by Sam RaimiSpider man trilogy remains an influential part of the superhero genre. It is indisputable that it has shaped how audiences consume superhero blockbusters, turning them into the spectacles of millennials. However, it’s not perfect because the first two movies get better over time, but the third one knocks them down.

Time has been kind to spiderman 3, but fans remain divided over its tone and narrative choices. His treatment of Venom is what dooms him, however. Raimi and company made an uninspired version of the iconic character, wasting one of Spidey’s most compelling villains and dooming the Spider man series in the process.

Batman V. Superman: Dawn of Justice (2016)

Batman faces Superman in a Batman v.  Superman: Dawn of Justice

Batman v Superman: Dawn of Justice It could be a great movie if it had more focus. However, in trying to tell so many stories in so little time, it fails them all and its iconic characters as well. Somewhere buried under a pile of unnecessary Lex Luthor pretense is a compelling story about the inherent differences between Batman and Superman and how they finally learn to work together.

However, the movie tries to have its cake and eat it too, insisting on cramping Luthor and his convoluted plot. By the time Doomsday appears, the film has officially entered “nuke the fridge” territory. The DCEU has made a number of mistakes when trying to build its cinematic universe, but trying to cover too much ground is by far the worst.

The Amazing Spider-Man 2 (2014)

Split banner showing the villains and hero of The Amazing Spider-Man 2.

The Incredible Spider Man it wasn’t groundbreaking by any means, but it had a great performance by Andrew Garfield and a storyline fun enough to justify its existence. However, the sequel failed to set up its ambitious universe by trying to do too many things simultaneously.

To your credit, the amazing spiderman 2 features the incredible chemistry between Garfield and Emma Stone. However, it’s not enough to save a story that has no direction, overflowing with narrative elements that never quite fit together. The third act, in which Spidey fights two underdeveloped villains in a row, is the film’s breaking point, and not even the emotional impact of Gwen Stacy’s death can save it.

Wonder Woman 1984 (2020)

Wonder Woman looking left in Wonder Woman 1984.

The first Wonder Woman The movie was a pleasant surprise, a breath of fresh air in the increasingly disappointing DCEU. While previous Ailing Universe films have struggled to look brave, Wonder Woman it was unapologetically positive and brilliant. Fans and critics had high hopes for its sequel. Unfortunately, Patty Jenkins and company couldn’t deliver.

Wonder Woman 1984 don’t know what you want to be. It tries to embrace the ’80s aesthetic and vibe, but refuses to compromise with the inherent sense of camp that comes with it. The result is an amorphous film that thinks itself serious and emotional, but feels silly and repetitive. The climax, where Wonder Woman wins by the power of kindness, is ridiculous considering the mixed messages the DCEU has sent about her character.

Iron Man 3 (2013)

The Mandarin on his throne in a promotional image for Iron Man 3.

Iron Man built the Marvel Cinematic Universe. That’s true. However, both sequels to the 2008 original delivered the worst aspects of the superhero genre, making it a parade of bombastic pieces that were cool to look at but didn’t make any emotional impact. But while Iron man 2 content with mediocrity, Iron Man 3 took a big hit and failed spectacularly.

Marvel announced the film as including the Mandarin, played by Oscar winner Sir Ben Kingsley. However, it took a twist by revealing Kingsley’s character as an actor posing as Mandarin. Fans and critics alike had a divisive reaction to the turn of events, and while Marvel’s taking any risk is always welcome, this one was objectively bad. It’s no surprise that Iron Man hasn’t returned for a fourth solo performance. The Mandarin twist alone proved the series was out of ideas.

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