Plan A, Plan B – Film Scenes – Review

(Plan A, Plan B, IND, 2022)

  • Genre: comedy, romance
  • Direction: Shashanka Ghosh
  • Road map: Rajat Arora
  • Cast: Riteish Deshmukh, Tamannaah Bhatia, Poonam Dhillon, Kusha Kapila
  • Duration: 105 minutes

A few years ago, I heard from a cinephile that there was something that drew attention in Turkish productions, specifically in telenovelas. She was particularly delighted with the truth of the feelings that were reproduced in these productions, where love stories carried real weight, and declarations were only made under conditions of absolute certainty. As well as the more graphic romance scenes, which only existed after a lot of intention on the part of the characters. Nothing was light or quick, she said. The Indian production that just debuted on Netflix, Plan A, Plan Bconfirms this thesis that there are titles being produced for the appreciation of an anti-365 dayswith romanticism returning to fashion and that it is less and less old-fashioned.

Perhaps it is an audience response to the more explicit character of a slice of cinematography produced largely in the West. Not only in sexualized productions, although part of this search for the purest love also resides there. When I cite this exposed character of romantic films, I even speak of the normality of films in frontally opening the declarations and demonstrations of love between their characters. It may seem like an exaggeration, but people miss the romantic character that ’90s comedies brought to the genre. It’s not just about talking about love, it’s about talking about a specific type of love, the one that doesn’t exist anymore, not even in real life. With your measured posture, Plan A, Plan B comes to fill this gap.

The film is exactly in this area, and its premise is to make Meg Ryan drool from 30 years ago. The office of a young matchmaker moves to the same floor as a renowned divorce lawyer – that’s enough to understand the war of the sexes that will form, and the real meaning behind so much mutual irritation between the protagonists. With such an irresistible situation, we can say that Plan A, Plan B would be ready for an American remake starring, say, Emma Stone and Hugh Jackman, for example. The way it is still presented in the original, the way the film deals with the feelings of its protagonists and the romantic scenes between them is striking.

Support Scenes

This whole situation is treated in the extreme of lightness, in comedy or romance. Without sounding childish or naive, the film just doesn’t spice up its situations, it almost feels like a monolith lost in time and space. It’s even nice the way its protagonists relate to each other, a reinterpretation of the well-oiled ‘crazy comedies’ of the 50’s, a delicious game of cat and mouse that hides those ravishing passions that we all know. Both the comic and romantic areas are linked to what cinema no longer produces, exuding a purity even in intimate moments; notice how the actors Riteish Deshmukh and Tamannaah Bhatia interact in their scenes, with great care, delicacy and even a certain chastity.

These elements give Plan A, Plan B an aura completely different from what we are used to finding in titles of any genre today. There is no cynicism or any kind of more spicy mischief in the production, which should please both the public that turns to more traditional titles and moviegoers in search of differentiated experiences. There aren’t many options like the title directed by Shashanka Ghosh on the market today, so its script flaws and its obviousness end up having its importance diminished, in front of such an unusual program. It is refreshing to say the least that something so far from our impressions is released, and ends up revering not only a non-existent social time, but also a cinematic movement that seems forgotten.

A big moment

The first kiss

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