how Ana de Armas claims to have embodied Marilyn Monroe in the film

Next Wednesday, the 28th, the film “Blonde” premieres on Netflix, starring Ana de Armas in the role of Marilyn Monroe. The Cuban-born actress plays the eternal muse in cinema in the feature film, based on the book by Joyce Carol Oates, which aims to fictionalize Norma Jeane’s life at the confluence of public and private.

The project by director Andrew Dominik, born in New Zealand, has been surrounded by controversy since its announcement, especially after it received an 18+ rating for sexual and nudity content.

While many fear that the drama is harmful to Marilyn’s image and more exploitative of her sensuality than really something transformative, director and protagonist defend the approach, and the actress claims that she even received a visit from the spirit of Marilyn Monroe during filming.

The film had its first world exhibition at the Venice Biennale, on September 8, and divided the opinion of specialized critics.

On review aggregator Rotten Tomatoes, the film has only a 50% approval rating, and the consensus alleges that “Blonde” can be “difficult to watch for navigating between commenting and contributing to exploration”. [de Marilyn]”, although Ana de Armas’ performance is praised as something “luminous”.

Since he started granting interviews about the process of immersing himself in the character, however, Armas has generated other controversies. The 34-year-old actress appears to have borrowed from Lady Gaga’s playbook, when she claimed to have mistaken herself for Patrizia Reggiani and to have been “chased by flies” while filming “Casa Gucci”.

During a press conference for the launch of “Blonde” in Venice, de Armas said that she could feel the spirit of Marilyn Monroe accompanying her during filming.

The actress claimed that the feeling was stronger when she was characterized as the character in places that Marilyn actually went through during her life. The film was even shot in the star’s childhood home in the 1950s.

“I think she was happy, but she would throw things against the walls at times, and get irritated when she didn’t like something,” the actress alleged in front of an audience of journalists.

“In the places she went, filming at her house, there was a strong sense of something in the air. I think she approved of what we were doing. Maybe that sounds too mystical or something, but I think it’s true, we all felt it.”

de Armas - Andreas Rentz/Getty Images for Netflix - Andreas Rentz/Getty Images for Netflix

Ana de Armas is present on the red carpet of ‘Blonde’ at the 2022 Venice Film Festival

Image: Andreas Rentz/Getty Images for Netflix

In an interview with fashion and culture magazine AnOther, de Armas said he visited Marilyn’s grave to ask permission before facing the first day of filming.

The actress said she left a handwritten letter on Marilyn’s grave, located at the Westwood Village Park memorial in Los Angeles.

“We got a big card and everyone on the team wrote her a message. Then we went to the cemetery and put the card on the grave,” he explained.

“We were asking permission in a way. Everyone felt a huge responsibility, and we were aware of the side of the story we were going to tell — the story of Norma Jeane, the person behind the character of Marilyn Monroe. Who was she really?”

With or without Marilyn’s “authorization”, the high sexual content of the film, according to the director and the protagonist, is necessary.

“We’re telling her story, from her point of view,” said Ana in an interview with Variety.

“I’m making people feel what she felt. When we had to shoot those kinds of scenes, like the scene with Kennedy, it was difficult for everybody. But at the same time, I knew I had to go there to find the truth.”

The scene in question, with Kennedy, is a moment in the film in which President John F. Kennedy (Caspar Phillipson) forces Marilyn to perform oral sex while he speaks into the microphone.

“She lets the place get tense if she needs that space — and in doing so, she puts even more pressure on herself,” adds Dominik, of Ana’s posture on sets. For the actress, it was important not to stay in character between takes and takes, but the state of mind of her version of the actress in “Some Like It Hot” is one of deep regret.

“It was heavy. I felt unable to help because I couldn’t change what was happening. [com ela]🇧🇷 I simply needed to live that story and I know how it ends,” he reflects on Marilyn’s death at age 36.

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