Miley Cyrus sweeps Twitter and reconciles with Disney

It all started with his character in Hannah Montana, which broke all audience records. Character for whom an image of a “good girl” did not allow her to be who she really was, and about which she ranted for a long time, because as she got older, it was untenable to continue riding that character.

At the end of the strip, Cyrus felt that wearing Hannah’s wig was ridiculousand he had to detach himself from the character in the only way he could find, which was to break the fantasy of “the best of both worlds” and use the Lacanian tactic of kill symbolically to Disney:

I was once backstage at Disney, and Peter Pan was smoking a cigarette. Suddenly I knew that this was me, that I too was destroying a fantasy. That’s the same way I felt when the video of me smoking a marijuana pipe was released, but in the end I wasn’t just a Disney mascot, I was also a person. I was once backstage at Disney, and Peter Pan was smoking a cigarette. Suddenly I knew that this was me, that I too was destroying a fantasy. That’s the same way I felt when the video of me smoking a marijuana pipe was released, but in the end I wasn’t just a Disney mascot, I was also a person.

But Miley didn’t just break the spell.and by triggering what is known as The Curse of Disney Childrenwas able to transmute that he has lived through music, in the same way that he transmuted to the pink pop of the late 2000s to the style he drives now, much more eclectic than its origins.

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